Music documentary

On The Beat: Best Music Documentary of the Year Brings New Perspective to ‘The Velvet Underground’ | Movies

The band’s last two years, and the inclusion of guitarist Doug Yule, are dealt with quickly as it has become more of a vehicle for Reed’s “pop” songs. And his story essentially ends when Reed left the group and left a Max’s Kansas City show in 1970.

Haynes wisely chose not to include in the documentary someone who was not “there” with the Velvets 50 years ago. This, thankfully, means there is no blah from today’s critics or the usual kind of musical doc who suspects Bono and Dave Grohl of talking about a band that went their separate ways before. the age of 10.

In fact, the only musician outside of Cale, Tucker, Young, and a few of Reed’s early bandmates who appear in the film is Jonathan Richman, a teenage VU fan who has seen them 70 times in Boston, has learned. Morrison’s guitar and was inspired by it. , starting with his group The Modern Lovers.

Richman, however, serves the purpose of standard doc rock commentators / commentators, using an acoustic guitar to explain VU’s music and describing how he felt during their shows.

As for the Velvet legacy, well, Haynes doesn’t care. The last segment of the film runs through the covers of the band members’ solo albums, discusses their 1992-93 reunion and then tells in text the death of the principles – Warhol in 1987, Morrison in 1995 and Reed, eight years ago this la week.